王光乐，1976年出生于福建松溪县，现居北京，2000年毕业于地方 美术学院油画系。
作为N12艺术团体的创始人之1 ，王光乐以2002年开始的“水磨石”和2006年开始的“寿漆”系列作品，成为中国70后年轻艺术家的重要代表之1 。“水磨石”通过繁琐的过程把具有时代特征的建筑材料水磨石上的纤细 纹理再现到画布上，试图以有意 义和无情感的形态 表达1 种对历史性与经历痕迹的记忆。而“寿漆”则将1 种观念与风俗 ，即1 种东方人的生命哲学转化成绘画方式，在每天向画布上1 层层绘制覆盖颜料的苦行僧般的极限创作过程中，进行着自我参悟的精神体验，以期在快速消费的当代社会回归到对人类本体身份的思考。奥迪艺术与设计大奖赛。
个展：
2011"王光乐在台湾"，索卡画廊，台北，台湾
“王光乐”，北京公社，北京，中国
2009“王光乐”，北京公社，北京，中国
2007“寿漆”，aye画廊，北京，中国
2006“汉语”北京1 月当代画廊北京，中国
群展：“二厂时代”北京云峰画苑（2000）；“N12第1 回展”地方 美院美术馆（2003）；第三届全国油画展（2003）；“念珠与笔触”北京东京画廊（2003）；“N12”第二回展地方 美院美术馆（2004）；“少年心气——中国新锐绘画奖作品展”深圳何香凝美术馆（2004）；“坏孩子的天空”北京星空间艺术中心（2005）；“翻手为云，覆手为雨”北京TS1艺术中心（2005）；“N12”第三回展地方 美院美术馆（2005）；“曙光”北京art110画廊（2005）；“新界面：up1 代登陆展”上海刘海粟美术馆（2006）；“虚真假 实”首尔HEYRI艺术基金会文明 空间（2006）；“地平线”北京德山艺术空间（2006）；“冷能”北京表画廊（2006）。
王光乐是面对水磨石图大彻大悟的人。他画出来的地面、墙面包括新画的色块，让人有“1 头撞死”的冲动。不被他感动，简直就是木头。东方 这类 死磕型儿的画家较我国数量为多。王光乐填补了1 项空白，由于 打13世纪的南宋以下，小禅意的画家太多，大禅意的画家极少。王光乐还有挖禅的潜力。他当然让我想起法国人加缪氏写的《西西弗的神话》。 
出版：《地平线》P93，Y.Q.K德山文明 艺术空间，2006年版。

Was born in county of Fujian loose brook 1976, reside Beijing now, was graduated from department of canvas of central academy of fine arts 2000.
Regard N12 art as one of author of the organization, wang Guangle with what began 2002 " terrazzo " with what began 2006 " birthday lacquer " series work, become China one of important delegates of light artist of 70 the year after next. "Terrazzo " get on the subtle grain emersion on the housing materials terrazzo that has times feature to canvas through trival process, try with insignificant the condition expression that feels with callosity is opposite one kind historic the memory with experience trace. And " birthday lacquer " criterion will a kind of idea and consuetudinary, namely the life philosophy of a kind of Oriental is changed into painterly means, in the ultimate creation process like the ascetic practices monk that enclothes dye to on canvas one layer upon layer scale everyday, undertaking ego joins realized mental experience, with period the reflection that returns to pair of human noumenon identities in the contemporary society of fast consumption. Large award of Ao Di art and design is surpassed.
Exhibit:
2011" Wang Guangle is in Taiwan " , all alone blocks gallery, taipei, taiwan
"Wang Guangle " , beijing commune, beijing, china
2009 " Wang Guangle " , beijing commune, beijing, china
2007 " birthday lacquer " , aye gallery, beijing, china
2006 " Chinese " Beijing is contemporary in January gallery Beijing, china
Group exhibit: "2 factories times " Beijing cloud peak draws center (2000) ; "N12 is exhibited first " art gallery of central beautiful courtyard (2003) ; Canvas of the 3rd whole nation is exhibited (2003) ; "Beads and brush stroke in Chinese painting and calligraphy " Beijing Tokyo gallery (2003) ; "N12 " exhibit art gallery of central beautiful courtyard the 2nd times (2004) ; "Boy heart is angry -- Chinese Xin Rui draws award work is exhibited " art gallery of Shenzhen He Xiangning (2004) ; "The sky of bad child " center of the art between Beijing sky (2005) ; "Turn over a hand to be the cloud, fu hand is rain " Beijing TS1 artistic center (2005) ; "N12 " exhibit art gallery of central beautiful courtyard the 3rd times (2005) ; "Dawn " Beijing Art110 gallery (2005) ; "New Territories face: Up generation is landed exhibit " art gallery of Shanghai bang millet (2006) ; "Empty the actual condition is true " head space of culture of Er HEYRI artistic foundation (2006) ; "Horizontal " space of art of Beijing heart hill (2006) ; "Cold can " Beijing expresses gallery (2006) .
Wang Guangle is the person that faces terrazzo graph big thorough to be realized greatly. The scene that the floor that he paints, metope includes to be drawn newly piece, let a person have " bump dead directly " actuation. Be not touched by him, it is wood simply. The west dies this kind knock painter relatively our country amount is much. Wang Guangle fill a blank, because hit the Southern Song Dynasty of 13 centuries the following, the painter of small buddhist meaning is too much, the artists of big buddhist meaning is few. Wang Guangle still has the latent capacity that digs buddhist. He lets me remember the French adds Miao to write of course " the myth that cc nots " . [Ni Jun]
Publish: " horizontal " P93, y.Q.K De Shanwen changes artistic space, 2006 edition.