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2022-03-11 17:16:55
姜维朴

艺术名家:姜维朴

所属分类:漫画家

官方网址:https://www.meishu.com/baike/1/l/4896.html

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人物经历

 1944年,姜维朴在家乡参加了革命工作。抗克服 利后,经本村在北海独立1 团工作的乔屹介绍,姜维朴终究 实现了他参加八路军的欲望 。这期间,我党大力举办培育革命知识分子的学校。姜维朴很想继续读书学习,走鲁迅文学救国的道路。当他得知胶东行署正在莱阳办胶东建国学校,便向部队领导提出去“建校”学习的想法,领导很快批准了他。以后 ,他又考取了由华东局主办的培养更高水平人才的“山东大学”(先在临沂,后迁至莒南)。在“山大”学习期间,他认识了同时被文艺系文学班录取的同班同学王苏(笔名王素),共同的寻求 终究 让俩人成为夫妻和事业的伴侣。

  1946年5月,姜维朴所在的“山大”全体师生听取了时任华东军区司令员陈毅的讲话。备受鼓舞的姜维朴更加无私 学习和工作。1947年3月,文工团派姜维朴、魏元璋、张韫磊、张子固四人到华东军区上司 的“伤员归队管理处”担任文明 教员,开展连队文明 工作。姜维朴深知任务的艰巨和责任的严重 ,他积极教伤员们大唱革命歌曲,还共同组建了1 个小型文工团,排演了四幕话剧《深仇大恨 》。演员不够,他和张子固既当导演又当演员,还动员卫生员等工作人员临时充当演员,居然把这部反映阶级斗争的大戏演得生动感人,受到了上级的表扬。

  1948年初,姜维朴被派往《华东画报》社任记者。这期间,他拍摄过不少具有严重 历史意义的照片,撰写了50多篇报告文学、诗歌及唱词等通俗文艺作品,出版了6本普及读物。

  1949年10月8日,为庆祝中华人民共和国成立,上海举行了声势浩大的百万人游行庆祝活动。作为摄影记者的姜维朴怀着激动和兴奋的表情 拍摄了大量有价值的照片,并连夜赶写了《大上海沸腾了1 记十月八日大游行》的通讯,很快刊登在《解放日报》上。两天后,他再次被广大人民群众火普通 的热情所感染,又将10号早晨 黄浦江上举行的庆祝活动记述上去 ,激情弥漫 地写了《江上的欢笑——记10月10日水上游行》的通讯,稿子得到了时任《华东画报》社社长吕蒙的肯定和赞美 ,发表在第1 期的《华东画报》上。这期画报,除采用此文外,还采用他拍摄的12幅照片作为画报的封面、封底和内页。这期堪称是中华人民共和国的庆典专号,至今仍被读者作为珍品收藏着。

  在多次采访农村的巨大变化中,姜维朴总是满腔热情地歌颂贫苦农民翻身解放的幸福生活。1950年,他创作了与摄影相结合的叙事诗《佃户李孔华》,同年春天,他深入山东文登县专门采访了张富贵,创作了报告文学《劳动英雄张富贵》,由华东新华书店出版后,又由华东人民出版社多次重版 。1951年他再次深入嘉兴高照乡,写了《太阳照在高照乡》的通讯,并配有6幅照片,刊登在当年的《新观察》杂志上。在《华东画报》上发表了《1 步跳出“淘箩命”》的报告文学和1 组照片。此后,他为报道上海开展的弹压 反革命的斗争所取得的巨大胜利,他前后 深入到几个工厂和街道里弄。到市公安局了解肃反情况,参加市公审大会等,以《大张旗鼓地弹压 反革命》为总标题,反映了这场斗争的巨大胜利成果。同时又抓紧时间写了1 部反映这场运动的说唱文学《压邪传》,在《劳动报》上连载,不久由劳动出版社出版单行本,后由北京宝文堂书店和通俗文艺出版社前后 重版 。怀着对英雄的无穷 崇敬表情 ,他曾专门采访过英雄叶春景,并写出了报告文学《1 颗钢铁的心》,进上海后又出版了第1 本鼓词集《跌不倒的英雄叶春景》。

  这年冬天,姜维朴又投入了对胶济铁路济南潍坊段修复工程的采访。前后 创作了诗歌《咱本身 的火车》报告文学《跑过第1 列试车道》等。为采访援助 淮海战役做出巨大贡献的军工七厂,姜维朴用三天时间赶赴沂源山区,夜间路上突遇狼群,他机智英勇 地驱退了恶狼,美满 完成了任务。他拍摄的照片和歌颂军工厂劳模的通讯《老牛》,刊于《大众日报》并获得好评。

  1950年10月,地方 人民政府出版总署呼应 全国第1 届出版会议关于出版专业化的精神,决定成立人民美术出版社。

1951年5月,《连环画报》(半月刊)正式创刊。1952年,为了解决连环画脚本不足的成绩 ,进1 步占据 旧君子 书市场,成立了“连环画脚本研讨 会”以期吸引本社和 社外美术界的参与;

1953年,姜维朴调到人民美术出版社掌管 连环画册编辑室工作,当他听说毛主席很注重 连环画工作时,便愉快地接受了组织上的安排,从此与连环画结下不解之缘。前后 任室主任、代总编、副总编,在他的掌管 和策划下,前后 出版了《水浒》《岳飞传》《杨家将》《意愿 军英雄画库》《我要读书》《穷棒子扭转乾坤》《王贵与李香香》《漳河水》《英雄村》《青年近卫军》《钢铁是怎样炼成的》等深受广大群众爱好 的作品,将连环画事业推向了新的阶段。

  1955年,由姜维朴等改编,卜孝怀等绘画的长篇连环画库《水浒》(共二十六册)开始出版发行,这是建国以来第1 部根据古典文学编绘的连环画库。

1957年,根据古典文学名著改编、王叔晖绘连环画《西厢记》出版,7次重版 重印达40万册。

1971年,周恩来总理掌管 召开出版工作会议,姜维朴参加大会,同年12月又参加文明 部召开的年画、连环画出版工作座谈会。

1970年《连环画报》拟恢复出版;1973年10月《连环画报》复刊,姜维朴掌管 编辑部工作;这1 年编绘出版了1 批以古代 京剧为题材的连环画(《红灯记》《智取威虎山》等)。

1984年,《连环画艺术研讨 》丛书在姜维朴掌管 下出版《铁佛寺》《翻身》《狼牙山5 勇士 》《三国演义》等。

1985年12月,经文明 部批准、姜维朴和部分编辑调出另成立《中国连环画》出版社;在这期间,《连环画报》印数达120万份。

曾任解放军华东军区华东画报社记者、上海华东画报社记者组长、主编、人民美术出版社副总编辑、中国连环画出版社总编辑、《中国连环画》月刊主编,《连环画艺术》季刊主编、中国美术家协会四届理事、《美术》月刊编委、第八届全国政协委员。

著作 有《连环画艺术论》《连环画艺术欣赏》(合著)《鲁迅论连环画》等书。

1960年获文明 部先进工作者奖状。

1990年12月4日,由于姜维朴操劳过度,在从哈尔滨返京的飞机上突发脑溢血,在住院期间经常边挂吊瓶边审稿、谈工作,特别 对歌颂长征史诗的《地球的红飘带》第三集的出版,他1 面输液,1 面让妻子举着画稿图片由他审阅,终究 使这部作品得以在纪念建党70周年时问世。1991年获旧事 出版署,中国美术家协会、中国出版工作者协会联合颁发的“连环画”工作荣誉奖。

  1993年,姜维朴担任第八届全国政协委员,他积极建言议政,呼吁社会各界充分注重 文明 思想阵地的建设。他的建议和提案曾多次引发 预会 委员和有关方面的注重 。1996年由他发起的共九位委员提出的为纪念长征胜利60周年举办美术、书法展览的提案,被全国政协评为优秀提案。

  1995年,从总编辑岗位上离休的姜维朴继续为连环画事业做着本身 的贡献。在完成《中国古代 美术全集·连环画卷》的编辑出版后,又投入了编撰《新中国连环画50年》文集的工作。同时,他还积极参加了与之有关的活动。

  2004年中国美协授予他“卓有成就的美术史论家”荣誉称号。2006年,1 部记载姜维朴终身 成长历程的长篇纪实文学《话说姜维朴》,由江西美术出版社出版发行,作品是与他终身 相濡以沫的妻子王苏所著。书中记叙了姜维朴在旧社会深受本钱 家剥削压榨和日本侵略者残酷的迫害,歌颂了投身革命后在党的培育下成长过程和在工作中历经风雨,为党勤奋工作的感人事迹,读后令人十分感动。而今,姜维朴虽已八十高龄,但仍在为他所宠爱 的事业做着本身 的贡献。他的这类 奉献不止的精神永久 成为我们学习的楷模。

连环画脚本是关系连环画成败的关键,为了提倡连环画脚本的创作,他带头编创了《穷棒子扭转乾坤》等连环画文学脚本。(《穷棒子扭转乾坤》脚本在1963年全国首届连环画评奖中获脚本1 等奖。)

  “十年文革”,姜维朴受到了冲击,1 度停止了工作。由于周总理对连环画的注重 ,他于1973年恢复了工作,并于当年4月在周总理掌管 的“全国出版工作座谈会”期间,受到总理的接见,聆听了总理的讲话:“孩子们没有书看,你们要赶快恢复出版,受了冲击不要冤枉 ,你们是共产党员,你们不干,谁干?”总理的话使他热泪盈眶,他重新抖擞 起来,尽快和同志们抓紧连环画恢复工作。1973年,他掌管 了《连环画报》的复刊,1974年,姜维朴自干校回京后立即投入紧张工作中,长时间 的劳累使他突患脑血栓,1 度形成 左边 半身不遂,幸而 及时医治 和锻炼,才得以恢复。

  粉碎“四人帮”后,到80年代初期,《连环画报》印数猛增至120万册,成为全国十大畅销刊物之1 。全国第四届文代会后,他倡议创办了全国独一 的1 份连环画理论刊物《连环画论丛》(后更名为《连环画艺术》),引发 社会各界的关注。这期间,他还掌管 了《连环画艺术研讨 丛书》的选编和出版。1983年,在他的掌管 下,创立了中国连环画研讨 会,并担任会长。(后改为中国版协连环画艺委会,任主任至今)。1986年,辽宁人民美术出版社出版了他的《连环画艺术论》1 书。

  姜维朴在几十年的实践中,深感连环画对广大群众和青少年有着潜移默化的巨大思想影响,对1 个人的人生观构成 、思想品德的成长都起着决定性的作用。上个世纪八十年代中期,连环画出版阵地刮起1 股拜金主义歪风。当他看到图书市场充斥了乱七八糟 的出版物时,甚为忧愁 。当时全国还没有1 家专业出版社规范这些不健康行为。姜维朴认为要使连环画事业沿着党的文艺方向健康发展,很有必要建立1 个专门出版连环画的机构。为此,他和连环画研讨 会的同志多次商讨决定,由他以连环画研讨 会长的名义,执笔上书时任总书记的胡耀邦同志,汇报上述情况及建议。胡耀邦同志肯定了他们的建议,并很快于当年的11月作出批示,交由文明 部出版局经办。1985年3月14日,出版局颁布发表 成立中国连环画出版社,由姜维朴等四人组成筹备组,姜维朴被任命为总编辑。

  党和国家领导人如此注重 连环画事业,这让姜维朴喜出望外,干劲倍增。为不辜负党对本身 的信任与期望,他决心在有生之年,尽全部精力办好出版社。

  为扭转连环画出版界的局面,姜维朴深入调查研讨 ,写出了“连环画出版上的1 些值得注重 的景象 ”的调查报告,分送中宣部、文明 部、《人民日报》等单位。不久,这些单位的有关刊物都刊登了这份报告。同时,姜维朴还在《中国青年报》头版头条发表了题为《连环画出版工作不能见利忘义》的记者访谈录。国家出版局于当年发出了《关于改进连环画工作的通知》,对加强和规范连环画的出版作出了重要规定。

  为尽快开创连环画出版工作新局面,姜维朴积极组织编绘出版了许多好的作品。如《保边疆献青春英模连环画库》《革命和平 连环画》歌颂长征史诗的《地球的红飘带》等重要作品。

  随后,姜维朴又在北京、上海举办了连环画原作展。在京展出期间,时任地方 书记处书记的芮杏文、杨成武将军和 文明 部、中国文联的领导和许多文艺界、出版界的知名人士参观了展览。

  中国连环画出版社在艰苦创业的同时陆续出版了《第二次世界大战连环画库》《革命领袖丛书》《古典文学彩色连环画库》《世界著名童话精选》等精品。

著作荣誉

 《鲁迅论连环画》《要摄取事物的本质》《连环画艺术论》《新连环画艺术的三十5 年》等;评论文章次要 有《中国新连环画艺术的40年》等。

享用 国务院颁发的政府特殊津贴;长时间 从事连环画编创出版的组织领导和理论研讨 工作。

创作连环画文学脚本《穷捧子扭转乾坤》获1963年全国首届连环画评奖脚本1 等奖。

自50年代初至90年代掌管 编创出版优秀连环画如大型连环画库《水浒》《岳飞传》《戏曲画库》《意愿 军英雄传画库》等,在全国评奖中获1 等奖的有《我要读书》《西厢记》《枫》《人到中年》《地球上的红飘带》等。

1973年掌管 《连环画报》复刊,并主管该刊至1985年。1983年掌管 创立中国连环画研讨 会,当选为会长,1985年掌管 创建中国连环画出版社,任总编辑、党委书记至1995年。

人物评价

 作为我国第1 代连环画工作者,姜维朴对连环画事业的发展起到了非常重要的作用。他不但身体力行地为连环画事业倾注了大量血汗 ,同时还大声疾呼全社会都来注重 这项工作。他还十分注重 连环画文学脚本的工作,对个别否定连环画脚本的文章,他用鲜明的观点以理服人,以此保护改编者的工作热情,澄清是非观念。为更好地弘扬连环画事业,他曾给中宣部、文明 部等领导人写过信,提出改进连环画和举行连环画评奖的建议,受到有关领导的关注。

In 2002, Hunan Fine Arts Publishing House published a large-scale album of Huangtieshan Watercolor Paintings, and held the first-ever album and exhibition of personal works in Changsha. In 2001, he participated in a delegation of Chinese artists to Hungary. In 2000, an exhibition of personal works was held at Guanshan Moon Art Museum in Shenzhen, and three works, such as St. Petersburg, were collected by the Chinese Art Museum. Works and personal brief are involved in compiling History of Chinese Watercolor Painting and History of Chinese Watercolor Painting. 1999 Works

 In 2002, Hunan Fine Arts Publishing House published a large-scale album of Huangtieshan Watercolor Paintings, and held the first-ever album and exhibition of personal works in Changsha.

 

In 2001, he participated in a delegation of Chinese artists to Hungary.

 

In 2000, an exhibition of personal works was held at Guanshan Moon Art Museum in Shenzhen, and three works, such as St. Petersburg, were collected by the Chinese Art Museum.

 

Works and personal brief are involved in compiling History of Chinese Watercolor Painting and History of Chinese Watercolor Painting.

 

1999 Works "Spring" Exhibition

 

The work "Twilight Return" was compiled into a large album of 50 Years of New Chinese Art

 

He attended the founding meeting of the Second Watercolor Art Committee of the Chinese Artistic Association and was elected as the chairman.

 

1998 Works "Temple noon" participated in the 4th National Watercolor and Painting Exhibition

 

"Golden with Late Autumn" and "Moroccan Town" were included in "Watercolor Volume of Complete Works of Modern Chinese Art"

 

Chaoshan and Xiangxi Diaojiaolou were selected into the large-scale album of Chinese Watercolor Painting.

 

In 1994, his work Early Spring participated in the 8th Asian Watercolor Union Exhibition (Indonesia)

 

In 1993, he was appointed as a member of the Watercolor Art Committee of the Chinese Artists Association and vice-chairman of the Second National Watercolor and Painting Exhibition Evaluation Committee.

 

"Xiangxi Suspended Tower" exhibition, to the United States exhibition collection

 

"Morocco Town" participated in the Fifth National Watercolor Exhibition and was collected in Hong Kong.

 

Two exhibitions of personal works were held in Taichung City, Taiwan Province.

 

In 1992, Shancun participated in the 7th Asian Watercolor Union Exhibition (Taiwan).

 

In 1991, six works, such as Border Town Rain, participated in the exhibition of famous Chinese watercolor artists held in Japan. Quzi Temple freehand brushwork and Xiaoxiang Moon were selected into JCA World Art Yearbook.

 

1990 West Coast of Africa won the second prize in 1990 China Watercolor Competition

 

1989 "Mountain Village Morning Cooking" Exhibition for Shenzhen Museum of Art Collection

 

More than ten works such as Versailles in the Rain participated in the exhibition of elite works of Chinese watercolor painting held in Hong Kong.

 

In 1988, he participated in a delegation of Chinese artists to visit four African countries and Paris, France.

 

In 1985, Quzi Temple freehand brushwork participated in the National Watercolor joint exhibition of six provinces and one city. Hunan Fine Arts Publishing House publishes Huangtieshan Watercolor Painting Collection.

 

In 1984, "Golden with Late Autumn" participated in the 6th National Art Exhibition and won a bronze medal. It was collected by the Chinese Art Museum. Later, it participated in the museum's collection exhibition for 30 years.

 

In 1980, Cuiguan was selected for the Fifth National Art Exhibition, and later participated in the Second International Art Exhibition in Bangladesh.

 

Born in 1939 in Dongkou County, Hunan Province. In 1944, Jiang Weipu took part in the revolutionary work in his hometown. After the victory of the War of Resistance Against Japan, after Qiao Yi, who worked in the Beihai Independent Regiment, Jiang Weipu finally realized his wish to join the Eighth Route Army. During this period, our Party vigorously organized schools to cultivate revolutionary intellectuals. Jiang Weipu is eager to continue his study and take the road of saving the nation by Lu Xun's literature. When he learned that Jiaodong Administration was running Jiaodong Jianguo School in Laiyang, he put forward the idea of "building a school" to the army leaders, who approved him very quickly. Later, he was admitted to Shandong University, which was sponsored by the East China Bureau and trained high-level talents (first in Linyi, then moved to Junan). During his study at Shanda University, he met Wang Su (pen name Wang Su), a classmate who was also admitted to the literature class of the Department of Literature and Art. Their common pursuit eventually made them partners of husband and wife and their career.

 

In May 1946, all the teachers and students of Shanda, where Jiang Weipu was located, listened to Chen Yi, then commander of East China Military Region. Encouraged by this, Jiang Weipu is more selfless in his study and work. In March 1947, the Cultural Workers'League sent four men, Jiang Weipu, Wei Yuanzhang, Zhang Taolei and Zhang Zigu, to serve as cultural teachers in the "Management Office of the Return of the Wounded" under the East China Military Region to carry out the cultural work of the company. Jiang Weipu is well aware of the arduous task and the great responsibility. He actively teaches the wounded to sing revolutionary songs. He also jointly formed a small literary group and rehearsed four acts of drama "Deep Enemy in the Sea of Blood". Actors are not enough. He and Zhang Zigu are both directors and actors. They also mobilize staff such as health workers to temporarily act as actors. They have been praised by their superiors for their vivid and moving performance of the drama reflecting class struggle.

 

In early 1948, Jiang Weipu was sent to East China Pictorial as a journalist. During this period, he took many photographs of great historical significance, wrote more than 50 popular literary works such as reportage, poetry and lyrics, and published 6 popular books.

 

On October 8, 1949, in celebration of the founding of the People's Republic of China, Shanghai held a grand parade celebrating millions of people. As a photographer, Jiang Weipu took a lot of valuable photographs with excitement and excitement, and wrote a newsletter of "A Big Shanghai Boiling Parade on October 8" overnight, which was soon published in Liberation Daily. Two days later, he was again infected by the general enthusiasm of the people. He wrote down the celebration held on the Huangpu River on the evening of the 10th, and wrote a passionate newsletter entitled "Laughter on the River - A Water Parade on October 10th". The manuscript was affirmed and praised by Lu Meng, then president of East China Pictorial. Published in the first issue of East China Pictorial. In addition to this article, this issue also uses 12 pictures taken by him as cover, cover and inner pages of the pictorial. This issue can be called the celebration special topic of the People's Republic of China, and is still collected as a treasure by readers.

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