邵瑞刚(1943.10—)浙江温州人，擅长中国画、电影美术设计。1964年毕业于浙江美术学院附中，1968年毕业于北京电影学院美术系。北京电影制片厂1 级美术师。宣扬 画《三岔口》获全国电影宣扬 画创作1 等奖。获第九届中国电影金鸡奖最好 美术奖。历史片《雅片 和平 》(总美术师)获第六届中国金鸡、百花电影节最好 故事片奖、最好 美术提名奖。中国画《马踏青苗》入选第八届全国美展。《村路带我回家》由于出色的美术设计获第九届中国电影“金鸡奖”最好 美术奖。
《黑炮事件》的美术设计接近古代 派设计，黄的工作服、枯黄的管道、白色的会议室、大型的挂钟，色彩抽象 夸张提炼，使影片充满古代 气息，处理得恰如其分。《野山》的外型 是完全写实的，女配角 头发擀了毡，其外型 手法真实得象古典油画中质感的描绘，内外景、服装处理得真实统1 。这两个片子风格截然不同，但在银幕外型 设计上都同样处理得精确 与贴切。《村路带我回家》是个恬淡、平实、透出1 种忧郁诗情片子。邵瑞刚为全片营建 出1 种散发着泥土芳香的诗情，描绘出1 个充满田园气氛的世界，在1 种平实、朴素、简洁的环境的烘托中，描绘出影片主人公乔叶叶的1 颗美好的心灵。邵瑞刚用画面描绘出华北大地的凝重、多姿和生命力，表现了美好的心灵，表现了忧郁的诗意，表现了1 种纯净的和谐。该片给色调在银幕上的驰骋提供了较好的条件，邵瑞刚在四时雨雾风雪、晨光夕照中捕捉华北农村的美。各种色彩的和谐应用 ，把观众带进1 个纯净的世界。色彩言语 赋予银幕视觉的引诱 力，使它浑厚、多姿、诱人而富有诗意。在室内景抽象 处理上，邵瑞刚捉住 盼雨家从六十年代末至八十年代初，横跨十几个春秋的室内陈设的纤细 变化，每1 个具体的道具随着岁月的流逝不断变化。这类 环境的兴衰，刻画了生活给予乔叶叶的砺炼。它是乔叶叶命运的直接写照。尽管这些细节不易被人察觉，但却是十分必要的。草垛是影片侧重 刻画的1 个抽象 。邵瑞刚对草垛进行加工，找出草垛之间的形的穿插和变化，给草垛的外形及草垛顶外形 赋予曲线和节奏，并给演员的表演提供了合适的空间。
2参与制造 过的电影
二十六个姑娘(1984)....美术(制造 设计)
良家妇女(1985)....美术(制造 设计)
失信的村庄(1986)....美术(制造 设计)
村路带我回家(1988)....美工
如意(1982)....美术(制造 设计)
金匾背后(1988)....美术(制造 设计)
山重水复(1980)....美术(制造 设计)
边走边唱(1991)....美术指点
血，总是热的(1983)....美工
1 叶小舟(1983)....美术(制造 设计)
天堂回信(1992)....美工

Shao Ruigang (1943.1, ) Zhejiang Wen Zhou's person, be good at artistic design of Chinese picture, film. Was graduated from attached middle school of Zhejiang academy of fine arts 1964, was graduated from faculty of art of Beijing film institute 1968. Beijing film studio division of one class art. Poster " 3 fork in a road " obtain countrywide movie poster to produce first prize. Win award of golden pheasant of film of the 9th China optimal art award. The history piece " the Opium War " (total art division) obtain golden pheasant of the 6th China, 100 beautiful film festival optimal feature film is award, optimal art nomination award. China is drawn " seedling of equestrian go for a walk in the country in spring " selected beauty of the 8th whole nation is exhibited. " village road takes me to come home " because excellent artistic design wins film of the 9th China " golden pheasant award " optimal art award.
" incident of black artillery piece " artistic design is close to a modernist school to design, the assembly room of yellow coverall, withered and yellow conduit, white, large wall clock, color image hyperbole is abstracted, make film is full of contemporary breath, processing gets just right. " wild hill " modelling is complete realistically, heroine hair roll felt, its modelling skill is so real that its modelling skill resemble what feel character in classic canvas to depict, processing of scene of inside and outside, dress is united truely. Style of these two films is disparate, but handle well and truly likewise on screen modelling design with apt. " village road takes me to come home " it is an indifferent to fame or benefit, smooth fact, give piece of a kind of blue poetics fully. Shao Ruigang is complete piece build give a kind to sending out the poetics of clay scent, depict the world that gives to be full of rural mood, in the foil that makes the same score solid, simple, concise environment in a kind, represent the spirit of a happiness of a leaf of movie hero Qiao Xie. Shao Ruigang depicts the dignified that gives China north earth, much appearance and vitality with the picture, behaved good heart, behaved blue poetic flavour, behaved a kind of pure harmony. This give tonal on screen gallop the condition with was offerred better, shao Ruigang catchs the beauty of China north country in afterglow of snow of wind of mist of rain of the four seasons, dawn. All sorts of colorific harmony are applied, bring the audience into a pure world. Colour language gifts the allure of screen vision, make it simple and honest, much appearance, inviting and rich poetic flavour. Indoors on scene image processing, shao Ruigang captures home expecting rain to come from 60 time end at the beginning of 80 time, over or across the slight change of the indoor display of ten age, each specific prop as years elapse to change ceaselessly. Of this kind of environment promote decline, depict the whetstone refine that the life gives Qiaoxiexie. It is the direct portraiture of destiny of tall page page. Although these detail are aware of not easily, but it is very necessary however. Haystack is a form that film emphasizes depict. Shao Ruigang undertakes machining to haystack, find out the thrust deep into the enemy forces of the form between haystack and change, the appearance that gives haystack and haystack top appearance gift curve and rhythm, the performance that gives an actor provided suitable space.
2 participate in has made movie
26 girls (1984) . . . . Art (the design that make)
Gentlewoman (1985) . . . . Art (the design that make)
The village that break one's promise (1986) . . . . Art (the design that make)
Village road takes me to come home (1988) . . . . Art design
Flexibly (1982) . . . . Art (the design that make)
Golden plaque backside (1988) . . . . Art (the design that make)
Hill heavy water answer (1980) . . . . Art (the design that make)
The edge walks along an edge to sing (1991) . . . . Art is directive
Blood, always heat up (1983) . . . . Art design
One leaf bateau (1983) . . . . Art (the design that make)
Heaven writes back (1992) . . . . Art design