埃尔默.比肖夫Elmer Bischoff - 传记

2022-03-11 18:46:00

艺术名家：埃尔默.比肖夫Elmer Bischoff

所属分类：国外油画家

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中文介绍

埃尔默.比肖夫作品

传记

埃尔默,第二个孩子的约翰和Elna纳尔逊(nee)比绍夫,在长大加州伯克利分校1 个父亲的儿子,第二代加州德国和母亲的混合瑞典厄瓜多尔的起源。

他进入了加州大学伯克利分校完成他的硕士学位,1934年9月,1939年5月,并立即开始教学艺术萨克拉门托高中(1939 - 41)。年大学期间,1 个老师最影响他:玛格丽特•彼得森高度独立的总奉献她的教学,和坚持艺术的伦理价值,是对艺术家埃尔默比肖夫有很大的影响。第二次世界大战然而,改变比肖夫的生活。1941年,他担任情报部门的1 个中校英格兰近驻扎,牛津大学,只要 1945年11月回到美国。

和平结束后,回到旧金山,比肖夫中发现本身再1 次前卫的艺术奔放,混合等画家(名字,但两个),等艺术家马克·罗斯科和克利福特·史蒂尔。1946年1月,1 个黄金机会是给他:他的一名艺术家朋友,卡尔卡斯滕(和平的老兵,像比肖夫)建议比肖夫作为地位仍然可用,美术老师在旧金山加州艺术学院。就在那时,比肖夫进入教师已包括了1 些最有才华的新的战后的美国艺术家。那么他终究实现大卫公园和理查德·本科恩。1973年,比肖夫当选了国家设计学院作为1 个准会员,并于1985年成为正式成员。

而不同于表现主义艺术来自欧洲的艺术海湾地区抽象运动显示看到的即时性和暖和抽象表现主义绘画。埃尔默比肖夫是本科恩,他经历世界上导致了他在1 个独立的绘画。比肖夫的安静和抒情作品是严重的以不同的方式从这幅画被认真对待的时候,看到的崛起抽象表现主义.

埃尔默比肖夫的工作的回顾,伟大的抒情诗人:埃尔默比肖夫的艺术,是提供的加州奥克兰博物馆11月3日,2001 - 2001年1月13日。的克罗克艺术博物馆(加州)de Young博物馆,赫希洪博物馆展出和雕塑花园(华盛顿特区)檀香山艺术博物馆,Kemper当代艺术博物馆(密苏里州堪萨斯城)国家博物馆的设计学院(纽约)美术博物馆,休斯顿(德州)俄克拉荷马城的艺术博物馆,奥兰治县的艺术博物馆,菲利普收藏(华盛顿特区)旧金山古代艺术博物馆,史密森尼美国艺术博物馆(华盛顿特区)在公众持有埃尔默的作品比肖夫集合。

比肖夫是作曲家的父亲约翰比肖夫.

English Introduction

埃尔默.比肖夫作品

Biography

Elmer Bischoff, second child of John and Elna (née Nelson) Bischoff, grew up inBerkeley, California, the second-generation Californian son of a father of Germandescent and a mother of mixed Swedish-Ecuadoran origin.

He entered the University of California, Berkeley, in September 1934, completing his master's degree in May 1939, and immediately started teaching art at Sacramento High School (1939–41). During his years at university, one teacher had influenced him most: the highly independent-minded Margaret Peterson, whose total dedication to her teaching, and insistence on the ethical value of art, were to have a great impact on the artist Elmer Bischoff would be. World War II, however, was to change Bischoff's life. In 1941, he served as a lieutenant colonel in intelligence services in England, stationing near Oxford, and only coming back to the US in November 1945.

After the war, back in San Francisco, Bischoff found himself once more in the midst of avant-garde artistic ebullience - mixing, among other painters (and to name but two), with such artists as Mark Rothko and Clyfford Still. In January 1946, a golden opportunity was offered him: one of his artist friends, Karl Kasten (himself a war veteran, like Bischoff) suggested Bischoff as art teacher for a position still available, at San Francisco'sCalifornia School of Fine Arts. It was then that Bischoff entered a faculty which already included some of the most talented new artists of post-war America. It is there that he eventually met David Park and Richard Diebenkorn. In 1973, Bischoff was elected into the National Academy of Design as an Associate member, and became a full member in 1985.

While distinct from expressionist art that came from Europe, art of the Bay Area Figurative Movement displays the immediacy and warmth that one sees in abstract expressionist painting. Elmer Bischoff was older than Diebenkorn, and he had experiences in the world that led to his taking an independent turn in painting. Bischoff's quiet and lyrical paintings were serious in a different way from the painting which was being taken seriously at the time; and which saw the rise of Abstract expressionism.

A retrospective of Elmer Bischoff's work, Grand Lyricist: The Art of Elmer Bischoff, was offered by the Oakland Museum of California, November 3, 2001- January 13, 2002. The Crocker Art Museum (California), the de Young Museum, the Hirshhorn Museum and Sculpture Garden (Washington D.C.), the Honolulu Museum of Art, the Kemper Museum of Contemporary Art (Kansas City, Missouri), the Museum of the National Academy of Design (New York City), the Museum of Fine Arts, Houston (Texas), theOklahoma City Museum of Art, the Orange County Museum of Art, The Phillips Collection (Washington D.C.), the San Francisco Museum of Modern Art, and the Smithsonian American Art Museum (Washington D.C.) are among the public collections holding works by Elmer Bischoff.