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斯塔布斯出生在利物浦,1 个儿子宿舍楼里和皮革商人。在他的寿命可达信息,35岁稀疏,依托 几乎全部由资深艺术家做了笔记乌西雅汉弗莱对斯塔布斯的生命的尽头。斯塔布斯曾在他父亲的贸易,直到他是15或16。
1741年他父亲去世后,拔得短暂学徒到兰开夏郡的画家和雕刻家命名哈姆雷特温斯坦利,但他很快就离开了,由于 他反对给他设置复制的工作。此后作为1 个艺术家,他是自学成才。在18世纪40年代,他曾在英格兰北部的肖像画家,并从约1745年至1751年,他研讨 人体解剖学在约克县病院 。他曾经有过的激情解剖从他的童年,他的现存最早的作品之1 是对教科书1 组插图助产这是发表于1751年。
他最著名的作品可能是Whistlejacket,1 个跃马由拜托 的绘画罗金厄姆的第二个侯爵,也就是如今 的国家美术馆在伦敦。这和其他两幅画中有朴素的背景进行了罗金厄姆休息与商定 。在全部 18世纪60年代,他产生了广泛马个体和群体画像,有时伴有猎犬。他经常与他们的马夫,谁他总是画成画个人马匹。同时,他还继续接受人的肖像,其中包括1 些集体肖像佣金。从1761年至1776年,他展出了英国艺术家协会,但在1775年,他交换了他的效忠于比来 成立的,但已更负盛名皇家艺术学院。
Stubbs was born in Liverpool, a son of a dormitory building and a leather merchant. At the end of his life reaching information, 35 years of age, relying almost exclusively on the life of Stubbs by the senior artist made a note of U Sia Hanff Eli. Stubbs worked on his father's trade until he was 15 or 16.
In 1741 after the death of his father, took the short apprenticeship to the painter and sculptor named Winstanley Lancashire Hamlet, but he soon left, because he gave him a copy of the work set against. Since then as an artist, he is self-taught. In 1740s, he worked as a portrait painter in northern England, and from about 1745 to 1751, he studied human anatomy in York County hospital. He had a passion for anatomy from his childhood, he is one of the earliest extant works on a set of textbook illustrations of midwifery which was published in 1751.
His most famous works may be Whistlejacket, a horse painting commissioned by the second Marquis of Rockingham, which is now the The National Gallery in london. This and the other two paintings have a simple background of Rogin Graham rest and conventions. Throughout 1760s, he produced a wide range of individual and group portraits of horses, sometimes accompanied by hounds. He often and they groom, who he always drawing individual horses. At the same time, he also continued to accept the portrait, including some collective portrait commission. From 1761 to 1776, he exhibited the British Artists Association, but in the year of 1775, he switched his allegiance to the recently established, but more prestigious Royal College of Art.
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