now that we have a clear understanding of the size of" small character "and" big character ", we need to clarify what" Shi "is. There are many explanations of" Shi "in the dictionary, such as power, power, situation, shape, style and so on, which are not elaborated here. The word" Shi "has also appeared in ancient Chinese Book Theory for a long time, such as Cai Yong's" nine Shi ", Wei Heng's" Si Ti Shu Shi "and Suo Jing's" Cao Shu Shi " And other words that often appear in Book Theory, such as "brush posture", "word posture" and "situation", the potential in book theory alone has a variety of meanings. Through combing, we can see that the "potential" in ancient book theory mainly has three meanings: "first, testimonies; second, the four elements of" potential ": movement, force, speed and trend; 3、 Style name. " So when talking about how to write big characters, what does Mi Fu mean by "potential"? And what does "small character" and "big character" in "all big characters should be like small characters and small characters like big characters" that he has mentioned many times refer to? What is the relationship between "small characters", "big characters" and "potential"
small character whiskers are ready < / P > < section style =" margin: 0px 0px 0.5em; padding: 0px; outline: 0px; max-width: 100%; color: rgb(34, 34, 34); font-family: -apple-system, BlinkMacSystemFont, " Helvetica Neue", & quot; PingFang SC", & quot; Hiragino Sans GB", & quot; Microsoft YaHei UI", & quot; Microsoft YaHei", Arial, sans-serif; letter-spacing: 0.544px; text-align: justify; background-color: rgb(255, 255, 255); overflow-y: auto; line-height: 1.75em; text-indent: 2em; box-sizing: border-box ! important; overflow-wrap: break-word ! important; "> Mi Fuyun: < / section > < section style =" margin: 0px 0px 0.5em; padding: 0px; outline: 0px; max-width: 100%; color: rgb(34, 34, 34); font-family: -apple-system, BlinkMacSystemFont, " Helvetica Neue", & quot; PingFang SC", & quot; Hiragino Sans GB", & quot; Microsoft YaHei UI", & quot; Microsoft YaHei", Arial, sans-serif; letter-spacing: 0.544px; text-align: justify; background-color: rgb(255, 255, 255); overflow-y: auto; line-height: 1.75em; text-indent: 2em; box-sizing: border-box ! important; overflow-wrap: break-word ! important; "> my calligraphy is written in small characters, just like big characters. Only the family collects the authentic works, and sometimes there are postscripts. It is not suitable for those who ask for books. < / section > < section style =" margin: 0px 0px 0.5em; padding: 0px; outline: 0px; max-width: 100%; color: rgb(34, 34, 34); font-family: -apple-system, BlinkMacSystemFont, " Helvetica Neue", & quot; PingFang SC", & quot; Hiragino Sans GB", & quot; Microsoft YaHei UI", & quot; Microsoft YaHei", Arial, sans-serif; letter-spacing: 0.544px; text-align: justify; background-color: rgb(255, 255, 255); overflow-y: auto; line-height: 1.75em; text-indent: 2em; box-sizing: border-box ! important; overflow-wrap: break-word ! important; "> according to the sentence" every big character should be as small as a big character, and small characters should be as big as a big character ", we can see that the small character Mi Fu talked about is the postscript after his authentic work, that is, what he called small character running script. While another postscript he left said:" Fu thinks this book is the postscript, but he doesn't write it after his authentic work. " For the postscript he only wrote after collecting the authentic works at home and did not write such books to other book seekers, he called his own small characters "postscript postscript". So far, we can conclude that Mi Fu's "small character" is his "postscript book" after his collection of authentic masterpieces. For Mi Fu's so conceited character, he cherishes his small character running script so much, so what is the face of his small character? Where is the source of the method? Or his own originality? We can find clues from his book theory Mi Fu insisted on the idea that small characters should be written like big characters. He thought that his small character running script was written like big characters. At the same time, he thought that a former calligrapher had done the same. Mi Fu Zeng Yun: < / section > < section style =" margin: 0px 0px 0.5em; padding: 0px; outline: 0px; max-width: 100%; color: rgb(34, 34, 34); font-family: -apple-system, BlinkMacSystemFont, " Helvetica Neue", & quot; PingFang SC", & quot; Hiragino Sans GB", & quot; Microsoft YaHei UI", & quot; Microsoft YaHei", Arial, sans-serif; letter-spacing: 0.544px; text-align: justify; background-color: rgb(255, 255, 255); overflow-y: auto; line-height: 1.75em; text-indent: 2em; box-sizing: border-box ! important; overflow-wrap: break-word ! important; "> all big characters should be like small characters, and small characters should be like big characters. Chu suiliang's small characters are like big characters. Later, his ancestors said that there were wonderful ones. < / section > < P style =" margin: 0px 0px 0EM; padding: 0px; outline: 0px; max-width: 100%; clear: both; min-height: 1em; color: rgb(34, 34, 34); font-family: -apple-system, BlinkMacSystemFont, " Helvetica Neue", & quot; PingFang SC", & quot; Hiragino Sans GB", & quot; Microsoft YaHei UI", & quot; Microsoft YaHei", Arial, sans-serif; letter-spacing: 0.544px; text-align: justify; background-color: rgb(255, 255, 255); line-height: 1.75em; box-sizing: border-box ! important; overflow-wrap: break-word ! important; ">
he believes that Chu suiliang's small characters are written like big characters, which is consistent with his calligraphy view. In addition, Mi Fu said in his autobiography that he had learned from five Tang people. Compared with Yan Zhenqing, Ouyang Xun, Shen CHUANSHI and Duan Jizhan, Chu suiliang is undoubtedly so
