笔 论 ---------------------------------------------------------
　　
　　书者，散也。欲书先散怀抱，任情恣性，然后书之；若迫于事，虽中山兔豪不能佳也。夫书，先默坐静思，随意所适，言不出口，气不盈息，沉密神采，如对至尊，则无不善矣。为书之体，须人其形，若坐若行，若飞若动，若往若来，若卧若起，若愁若喜， 若虫食木叶，若利剑长戈，若强弓硬矢，若水火，若云雾，若日月，纵横有可象者，方得谓之书矣。 
[评点] 书家精神的好坏，对其书法创作的效果关系极大。迫于事势。情绪不好，就是有最好的毛笔，字也不会写的好，只有胸怀潇散随意，精神集中，如果工具也好，写出的字就会佳妙。 


九 势 ---------------------------------------------------------

　　夫书肇于自然，自然既立，阴阳生焉；阴阳既生，形势出矣。藏头护尾，力在字中，下笔用力，肌肤之丽。故曰：势来不可止，势去不可遏，惟笔软则奇怪生焉。
　　凡落笔结宇，上皆覆下，下以承上，使其形势递相映带，无使势背。
　　 转笔，宜左右回顾，无使节目孤露。
　　 藏锋，点画出入之迹，欲左先右，至回左亦尔。
　　 藏头，圆笔属纸，令笔心常在点画中行。
　　 护尾，画点势尽，力收之。
　　 疾势，出于啄磔之中，又在竖笔紧趯之内。
　　 掠笔，在于趱锋峻趯用之。
　　 涩势，在于紧駃战行之法。
　　 横鳞，竖勒之规。
　　 此名九势，得之虽无师授，亦能妙合古人，须翰墨功多，即造妙境耳。
[评点]笔势与笔法是有区别的。笔势指的是一种单行规则，指不同点划须用不同的方法；笔法则是必须共同遵守的基本方法，任何一种点划都不能违背它。所谓“九势”，就是关于笔势的九种方法、法则。只要学书者掌握了正确的方法，又能勤学苦练，即使没有名师的指导，也是可以达到书法的“妙境”的。 

 蔡邕简介

----------------------------------------- the book is scattered. If you want to write, first let go of your arms, be willful, and then write; If forced to do something, although Zhongshan rabbit Hao can't be good. In the book of the husband, sit quietly and meditate at first. If you feel comfortable at will, don't speak, don't breathe, and have a deep look. If you are right to the supreme, there is nothing wrong. The body of a book must be in the shape of a person, if he sits as if he walks, if he flies as if he moves, if he comes, if he lies as if he rises, if he is worried as if he is happy, if insects eat wood leaves, if he is a sharp sword and a long spear, if he is a strong bow and arrow, if he is water and fire, if he is a cloud, if he is the sun and the moon, and there are visible images in the vertical and horizontal directions, then he can be called a book.  [comment] the quality of a calligrapher's spirit has a great impact on the effect of his calligraphy creation. Forced by the situation. If you are in a bad mood, even if you have the best brush, you won't write well. You can only be relaxed and concentrate. If you have good tools, your words will be wonderful. Jiushi -------------------------------------------------------- Fu Shu originates from nature. Nature is established and Yin and yang are born; Both yin and yang are born, and the situation is emerging. Hide your head and protect your tail, put your strength in the words, and write hard to make your skin beautiful. Therefore, it is said that the potential cannot be stopped, and the potential cannot be stopped. But if the pen is soft, it is strange. Where the writing is finished, the upper part is covered with the lower part, and the lower part is connected with the upper part, so that the situation can be matched with each other, and there is no potential back. Turn the pen around and look back, so as not to expose the program alone. Zang Feng, stippling the trace in and out, wants to go from left to right, to return to left. Hidden head, round pen belongs to paper, so that the center of the pen often goes in stippling. Protect the tail, draw some potential, and try your best to close it. The momentum of the disease comes out of the pecking and is within the tight distance of the vertical pen. Skimming the pen is to use it with a sharp edge. Astringent potential lies in the method of tight fighting. Horizontal scales and vertical rules. This is called Jiushi. Although there is no teacher to teach it, it can also be combined with the ancients. It requires a lot of calligraphy skills, that is, to create a wonderful realm ear. [comment] there is a difference between gesture and brushwork. Gesture refers to a single line rule, which means that different points must be drawn in different ways; The rule of pen is a basic method that must be observed together, and no kind of stroke can violate it. The so-called "nine gestures" are the nine methods and rules of pen gestures. As long as the learners master the correct method and practice diligently, they can reach the "wonderful realm" of calligraphy even without the guidance of famous teachers. Introduction to Cai Yong