袁江（1662—1735）字文涛，号岫泉。江都（今江苏扬州）人。是中国绘画史上有影响画家，宫廷画家，专攻山水楼阁界画。雍正时，召入宫廷为祗侯。在清康熙、雍正、乾隆时期，楼阁工整山水当以袁江最有名。当时还有他的侄子袁耀同齐名。他们两人曾受扬州的山西盐商的聘请，到山西作画，作品在北方流传较多。他擅画山水、楼台、师法宋人。山水画主要学宋代闫次平，画石多鬼皴，楼阁主要学郭忠恕，工整严密。他的绘画素材多为古代宫苑，尤长于界画。界画是我国民族绘画中很有特色的一门画科，它在东晋时代已同人物、山水画并存了，发展到宋、元时期就已达到高峰，但一直受到文人画的排挤。画艺从师仇英，山探郭忠恕笔法及赵伯驹、刘松年等青绿山水一脉，同时传工界画，成为有清一代推为第一的界画家。Yuan Jiang (1662 - 1735) Wentao, No. Xiuquan. Jiangdu (now Yangzhou, Jiangsu) people. In the history of Chinese painting, influential painters, court painters, specializing in landscapes, pavilions and boundaries of painting.  During the reign of Kangxi, Yongzheng and Qianlong in the Qing Dynasty, the most famous landscapes were the Yuan River. At that time, his nephew Yuan Yao was equally famous. They were hired by Shanxi salt merchants in Yangzhou and went to Shanxi to paint. Their works spread widely in the north. He is good at painting landscapes, terraces and Song people. Landscape paintings mainly learn from Yan Ciping of the Song Dynasty, with many ghostly stone paintings and Guo Zhongshu of the pavilions, which are tidy and tidy. His painting materials are mostly ancient palaces, especially in boundary paintings. Boundary painting is a distinctive branch of Chinese national painting. It coexisted with figure painting and landscape painting in the Eastern Jin Dynasty. It reached its peak in the Song and Yuan Dynasties, but it has been excluded by literati painting. Painting art from the teacher Qiuying, mountain exploration Guo Zhongshu brushwork and Zhao Boju, Liu Songnian and other green landscape, while passing on the industry painting, became the first boundary painter in the Qing Dynasty.